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Beowulf

Beowulf cover
Beowulf Cover
Date: 2007

 

Beowulf is an epic poem, written by an unknown author, most likely between the 9th and 11th century.  It is one of the most important, most studied, and most translated works of Old English, the language spoken in Anglo-Saxon England before the Norman Conquest. Set in pagan Scandinavia and consisting of three sections, the poem relates the wondrous exploits of its hero, Beowulf, who battles with the monsters Grendel, Grendel's revengeful mother, and a dragon guarding a treasure. 

Among the challenges Gareth Hinds addressed in in his adaptation were:

 

Translations

Hinds compared more than two dozen available translations (in print or archived online) before selecting the Francis B. Gummere verse translation as the basis for his script (Heaney and Tolkien were not yet available). When Candlewick Press re-issued the book, Hinds worked with editor Deb Noyes to create a more accessible text based on the prose translation by A.J. Church.

 

Ancient Art

Wanting the art to evoke the time period when Beowulf was composed, Hinds based his art style on three ancient art forms: the illuminated manuscript (ink on parchment with calligraphy), the funeral portraits of Fayum, Egypt (painted on wood panels), and stone sculpture, especially relief sculpture associated with memorials.

 

Monsters

The text does not describe in detail the three monsters Beowulf fights. Hinds’ designs are based primarily on their abilities and on the symbolism each presents to Beowulf: Grendel is super-strong and immune to weapons, so he has a muscular, metallic appearance, and he personifies rage and hunger, so his face is mostly jagged fangs. Grendel’s Mother lives underwater, so she has a frog-like appearance, and she represents motherhood, so she is shaped like ancient fertility statues. The dragon is ancient and represents time and mortality, so it appears as a primordial, Oroboros-like serpent.

 

Hinds’ exciting adaptation, faithful to the literary classic, garnered high praise from reviewers:

“A first-rate horror yarn… Hinds stages great fight scenes, choreographing them like kung-fu master… Visceral.”  -- The New York Times Book Review

“Retells the old tale as a series of dark, bloody, chaotic clashes… A strongly atmospheric alternative.”  -- Kirkus Reviews

 

View the exhibit objects in more detail by clicking on the images below.

display case
Beowulf Display Case
Creator:
Gareth Hinds
Description: display case for Gareth Hinds' adaptation of Beowulf
Beowulf self published edition
Beowulf, Self-published Edition
Creator:
Gareth Hinds
Beowulf Cover art, original
Beowulf Original Cover Art
Creator:
Gareth Hinds
Description: Original art for cover for part 1 of Gareth Hinds' Beowulf
Medium: Ink on Bristol
Beowulf bookplate
Beowulf Bookplate
Creator:
Gareth Hinds
Description: Bookplate, scratchboard
Medium: scratchboard
early sketches  
Beowulf Early Sketches and Text
Creator:
Gareth Hinds
Description: Early sketches and rough layouts and text of the self-pub and Candlewick editions
Medium: pen & ink
Beowulf original art  
Beowulf Original Art
Creator:
Gareth Hinds
Description: Original art from Part 2 of the self-published edition of Gareth Hinds' Beowulf
Medium: Ink and acrylic on plywood panel
Beowulf sample art  
Beowulf Sample Art
Creator:
Gareth Hinds
Description: Sample art from parts 1, 2, and 3
Medium: Ink on Bristol
Beowulf inspiration  
Beowulf Style Inspiration 
Creator:
Gareth Hinds
Description: Style inspiration: Illuminated manuscript, original Beowulf manuscript, Fayum mummy portrait, Ancient Greek relief sculpture, sculpted figure on a tomb
Beowulf parts 1-3  
Beowulf Parts 1-3 of the Self-published Edition 
Creator:
Gareth Hinds
Description: Beowulf, first self-published edition in three parts